Three figures occupy a tense triangular formation, each caught in their own angle of longing, avoidance, and overwhelm. The central black figure stands rigid and wounded, its torso marked by a raw, red opening that exposes the vulnerability beneath its armour-like surface. To the left, a curved naked form leans inward with cautious desire, while on the right a tall blue structure rises like an abstracted fallen Christmas tree, part witness, part emotional obstacle, part idealised fantasy.
 
The composition unfolds like a diagram of relational dynamics, mapping attraction, imbalance and emotional injury through shape and distance rather than literal gestures. In the Geometry of Desire captures the moment when want, fear, and projection create their own architecture, revealing how desire pulls bodies into positions they did not consciously choose.